Showing posts with label Hanoi - the world. Show all posts
Showing posts with label Hanoi - the world. Show all posts

Hanoi listed among world’s top tourist destinations in 2010

Hanoi is ranked third among 12 most attractive destinations in the world in 2010, announced a US prestigious tourist publisher.

Frommer with the most best-selling guidebooks in the US advised travellers to chose Hanoi for their destinations as the city will celebrate its 1,000 th birthday and the National Tourism Year 2010.

“ Hanoi also happens to be Asia’s most Asian city”, said Ron Emmons, author Frommer’s Thailand and co-author Frommer’s Southeast Asia .

Italian cities’ preparations for 1,000th anniversary of Hanoi

Authorities of Italy’s province of Florence and its cities of Trento, Milan and Genoa have pledged to actively participate in activities to celebrate the 1,000th anniversary of Thang Long-Hanoi.

The cities and province will hold cultural activities from now till the grand ceremony on October 10.

Florence will hold a photo exhibition in May on the province’s former Mayor Giorgio La Pira, who represented the UN General Assembly to Hanoi for a peace talks with President Ho Chi Minh in November 1965.

Hanoi ancient dances emerges back to life

Ancient dances, an exceptional art genre that stems from the old capital city of Thang Long, are being revived after a long time in oblivion.

So far no scientific research has been carried out to track down the exact period of time when Hanoi ancient dances were introduced, yet their presence in folk verses, proverbs and ancient bibliographies speaks their age. Images of dance moves are even chosen to be designs and patterns sculptured on bronze drums.

Nguyen Van Bich, President of the Hanoi Dancers’ Association, said Hanoi has nearly 100 ancient dances closely linked with the city’s history that fall into three categories: folk, royal and religious dances.

Hanoi, Moscow trade unions boost cooperation

The Hanoi Labour Federation and the Moscow Trade Union have signed an agreement on cooperation in the 2010-2015 period.

Under the agreement, the two sides will exchange visits to share experiences in trade union activities and protecting the rights of labourers as well as setting up bilateral relations between the two cities’ trade union chapters.

The two sides will expand cooperation after reaching agreement on issues of mutual concern./.

Hanoi delegation on Malaysia visit

A Hanoi delegation led by Chairman of the municipal People’s Committee Nguyen The Thao is on a three-day visit to Malaysia to boost planning cooperation between the two countries.

During its stay in Malaysia from Nov. 3-5, the delegation worked with the Kuala Lumpur leaders and visited Malaysia ’s new administrative capital of Putrajaya.

On Nov. 4, the delegation called at the Vietnamese Embassy and other representative agencies in Malaysia . The Hanoi mayor briefed the Vietnamese officials about the city’s socio-economic development situation after over one year of expansion.

Hanoi’s celebrations presented to Australians

Travel Indochina, a leading Australian tourist company, has become the country’s first operator to introduce tours to Vietnam on the 1,000th founding anniversary of Thang Long-Hanoi.

During a press conference in Sydney on Oct. 9, Travel Indochina’s Managing Director Paul Hole gave a briefing on Hanoi ’s development and history since King Ly Thai To moved the capital from Hoa Lu to Thang Long in 1010, as the city is preparing to celebrate this important event next year.

Hole underlined Hanoi ’s cultural and diverse features and symbolic historical sites such as the Thap Rua ( Rua Tower ) in Hoan Kiem (Returned Sword) Lake as well as modern architectural works like the Hanoi Opera House, the Foreign Ministry’s Headquarters and the Metropole Hotel.

The director said that around 160,000 Australians have arrived in Vietnam in 2008 and most of them visited Hanoi , which, he said, boasts many “unexplored” secrets for foreign visitors.

Travel Indochina plans to launch a programme called “Historic Hanoi” in January 2010. Holidaymakers will be enabled to explore Hanoi ’s old streets and visit other well-known landmarks in Vietnam , including Sa Pa , Ha Long Bay, the former imperial capital of Hue and the ancient town of Hoi An./.

Photo show brings Hanoi to Paris

A photo exhibition portraying the life, sceneries and people of Hanoi was opened at the Vietnam Cultural Centre in Paris, France on Oct. 9.

Nearly 100 pictures on display at the “Hanoi Today” exhibition were shot by Dominique de Miscault, a French painter, sculptor and installation artist.

The photos are only part of a collection of thousands of pictures Dominique had taken during her visits to Vietnam .

Vietnamese, US students study water resources in Hanoi

About 40 Vietnamese and US university students are studying water resource science and policies on a special course in Hanoi.

During the course, the brainchild of the University of Miami ’s Daniel Suman, students are learning about water resources by practising, experiencing and travelling with support from a grant from a university consortium on the US Atlantic coast.

The Hanoi University of Mining and Geology is hosting the course. Pham Quy Nhan, from its Department of Geology, is a co-ordinator.

About 18 undergraduate and graduate US students were joined by a similar number from different departments at the Hanoi university.

During the three-week course, which ends on July 4, classes are covering water pollution, drinking water, wastewater treatment, groundwater, wetlands, water resources management, international river basins, water and agriculture, dams and integrated coastal management.

During the course, students have visited sites of interest related to water resources in and near Hanoi , including Hong (Red) River, a drinking water treatment plant in Hanoi ’s Thanh Tri district, a 500ha mangrove restoration site and fish and shrimp aquaculture ponds in Hai Phong city./.

Hanoi’s hidden art treasures

People often travel thousands of kilometers to see artistic works in far-off places but fail to recognize equally beautiful things in their own backyard.Hanoi is home to some amazing but little-known works of art. Here are some:

Gallery no.39 (39A Ly Quoc Su St., Hoan Kiem District)

This place, 15 minutes o­n foot from Sword Lake, has become a familiar haunt for those who love classic art. It belongs to painter Le Thiet Cuong.

The large five-floor house was built in classic French style, circular with a diameter of 7 meter. Realizing that standing inside a tall cylinder induces a claustrophobic feeling in some, the owner, also the designer, decided to build walls of glass running all the way from the ground to the top -- a skylight with a twist.

Open at the top, not o­nly does it allow light but also rain to pass through.

The space around it is splendidly decorated with a small aquarium, wild banana trees bought at Buoi Market, rocks, orchid plants covering large parts of the wall.

On the second floor is a bridge linking the two sides, designed like a temple roof and resting o­n four stone pillars. The ironwood for its frame was soaked in lime for a long time to fade its classic wooden color and give it an aged look.

Mr. Cuong also has a lot of antiques. He says he loves to find out about and preserve relics from cultures facing a risk of dying out. He has a camera obscura believed to be the first version of the camera imported into Vietnam by the French. Then there are sets of ‘trang ky’, the classic wooden table and chairs.

But the two most impressive items are a dressing-table made of red lacquer trimmed with gold and a decorative square table overlaid with seven layers of lacquer. These have been handed down by his grandfather who used to own a wood processing factory in Ha Noi. 
 
Mr. Cuong personally looked for building materials in the countryside, selected the right kinds of woods, found stone carvers, and did everything o­n his own. It took him three years and US$50,000 to make over his house.

On the first floor is Gallery No.39 which has works exhibited by owners and painters.

Maison des arts (31A Van Mieu St. Ba Dinh Dist)

Maison des arts, or “house of arts,” belongs to Vietnamese-French woman Nguyen Thi Tuyet Nga and her husband, Daniel Roussel, a French documentary maker who has made some films about the historic town of Dien Bien Phu and General Vo Nguyen Giap, the architect of the Vietnamese victory over the French colonialists.

Ms. Nga, who used to work in the area of French architecture, hoped to build a place to organize art performances that will also be true to traditional Vietnamese culture.

The ground floor is a small museum while the second and third floors have been designed to display contemporary art, often arrange item in accordance with the current art of arrangement. The fourth floor has many books and soft piped for people to sit and read.

The fifth floor is designed like a typical wooden house in the nothern plains and has wooden furniture. It too has displays, but not of inanimate things. Rather, it features activities like the tea ceremony and ca tru (traditional chamber music featuring female vocalists that originated in northern Vietnam) and chau van singing (a traditional Vietnamese folk art combining trance singing and dancing). Many wooden carp hang o­n the walls. Ms. Nga says they symbolize the legend of the carp that turned into a dragon to fly away and manifest her desire to promote Vietnamese culture to the world.

From the terrace, o­ne can see the Temple of Literature with its old green trees, red-lacquered bell tower, and centuries-old roofs in its Thai Hoc courtyard.

Stilt House ‘Duc’ (Team 50, Group 5, Vinh Phuc Ward, Ba Dinh Dist.)

Those who love stilt houses are likely to know painter Nguyen Manh Duc not o­nly because of the long list of such houses he has designed for customers like painters Thanh Chuong and Dao Anh Khanh but also because of the large o­ne he owns in Ha Noi.

He bought the 500-square-meter house in Ba Dinh District from a Muong (a Vietnamese ethnic minority) family in the northwestern province of Hoa Binh in 1989. He dismantled and brought the whole house to Ha Noi, setting it up with but minor changes to allow for some practical conveniences.

He moved the floor up to 2.5m and narrowed the porches o­n the four sides, putting up staircases along all of them.

The normal house design in the northern plains o­nly has o­ne porch in the front and o­ne staircase. The host will be able to see his guests and decide whether to welcome or reject them. The makeover means Mr. Duc has to accept every guest that comes. But he says he is comfortable with the arrangement since “I’m easygoing and gregarious.”

He chose to decorate his house with stone dogs in different various shapes and positions – o­ne sits waiting at the bottom of the stairs, another in the garden. He also has over 2,000 ceremonial paintings by ethnic minorities living in the north of Vietnam. But the most impressive items must be the many Buddha statues made of gilded wood.

The house has been chosen to host various outdoor arrangement art exhibitions. The first to do so was painter Tran Luong, with his show entitled ‘Khoi Thuy’ (‘Initial’), soon after the house was completed.

The owner is always willing to tinker with the structure of the house, like removing the roof or moving the walls, for the exhibitions.

Mr. Duc also invites traditional artistes sometimes to perform for himself and his guests. He says: “My late father, writer Kim Lam, always put o­n performances of cheo, quan ho, ca tru and chau van for his guests. He even went to Hoa Binh to bring Muong performers.”./.

Vietnamplus/Hanoitimes

Festival helps sister-cities trade

A week-long festival outlining the features of Ha Noi began yesterday in Moscow to promote trade relations.

A ground-breaking ceremony for the establishment of the Ha Noi-Moscow Culture and Trade Centre was held yesterday amid the celebration activities.

Ha Van Que, director of the Ha Noi Foreign Affairs Department, said at a press conference in Moscow on Tuesday that the first Ha Noi Festival in Moscow was held six years ago.

Que said that during the present festival, several seminars on investment, trade and tourism promotion would be held.

The trade festival has been organised for investors from both capitals to exchange information and seek opportunities for further economic co-operation.

"Ha Noi’s expansion has become attractive to many foreign investors, including those in Moscow and in the Russian Federation as a whole," Que said.

However, Ha Noi wants to co-operate with Moscow in the fields of design consultancy, urban planning and urban development, the rehabilitation of old buildings and transport development.

Ha Noi and Moscow have been sister cities for many years. In 2001, the Russian capital organised the Moscow Festival in Ha Noi.

Speaking to reporters, Vladimir Lebed, vice director of the Moscow Department of External Economics and International Co-operation hoped that bonds between the two cities and two nations would continue to expand.

"Moscow has opened wide its doors for Ha Noi investors and legal Vietnamese workers who have skills to work in Moscow enterprises," Lebed said./.

Saving 1,000 years of musical history


Marianne Brown opens her ears to the haunting sounds of ca tru at the first-ever theatre dedicated entirely to this 11th century chamber music.

Three musicians sit cross-legged on the stage. The woman in the centre lifts her phach (small wooden sticks, and a bamboo block) and begins to tap a rousing rhythm. She sings a haunting, vibrato melody. The lute-player to her left plucks a dissonant chord, and a small drum is beaten. The layers of hypnotic sound weave in and out, conjuring images of women in silk ao dai serving tea, and men lying in smoky dens.

This is the sound of ca tru, an ancient form of chamber music dating back to the 11th century. The venue is Thang Long Ca Tru Theatre, the first of its kind in the country dedicated entirely to the art form. It was set up by businesswoman Nguyen Lan Huong earlier this year in the Viet Nam Revolutionary Museum.

"I opened the theatre, because there was nothing like it in Viet Nam," Huong says. "There were venues for other traditional arts, like water puppetry, hat cheo and quan ho, but none for ca tru."

Seated in the centre of the stage is star of the show, Bach Van, one of the country’s pioneers in resurrecting the art form. In the words of theatre-owner Huong, Van’s "first love is ca tru".

Even off the stage, it’s still difficult to take your eyes of the energetic and graceful 50-year-old.

"I spent my whole life learning the genre," Van says. "It’s very hard. You have to have the power of an opera singer, but open your mouth just an inch or so."

She sings a melody in ca tru and opera style to prove her point. Both renditions are impressive; the veteran musician studied opera for four years before dedicating herself entirely to the traditional Vietnamese art form.

"I want to create a special performance of artists, so young Vietnamese people and foreigners can understand the real origins of this type of music," she says.

It’s partly thanks to Bach Van and the theatre that the genre is being brought back from the brink of extinction.

Court Music

Part of a peformance at Thang Long Ca Tru Theatre, where ca tru is being resurrected to entertain tourists and keep knowledge of the artform alive for younger generations.

Ca tru is music and poetry combined – "very difficult to understand", according to Van.

"It is made up of many different layers. You have to understand the lyrics, which are classical poems, and learn many different techniques."

The music is believed to have originated as a form of entertainment in the court of Ly Thai To (1010-1028). It was later performed in small inns and at private homes.

The name literally means "tally card songs", (ca is Vietnamese for "song", and tru is Chinese for "card"). This refers to a system of payment for artists. Singers would receive bamboo cards for every performance. These would be exchanged for money at the end of the night.

The female singer uses the phach to tap the beat to the words of her emotional song – usually renditions of famous verses by poets such as Nguyen Du. A very long necked, three-stringed lute known as a dan day is part of the small ensemble. The final member of the ensemble is the spectator, who strikes the trong chau drum in praise or disapproval, but always in time to the phach. All the instruments are unique to the art form.

Unlike hat cheo (traditional opera) ca tru was a diversion for the elite and the rich, not for the masses, in the feudal-colonial era. Its heyday was between the mid-19th and mid-20th centuries, when it was very popular with scholar bureaucrats.

"Ca tru is similar to Japan’s geisha music," Bach Van says.

"Both are scholarly music, but long ago, ca tru was only taught within families. When the French colonised Viet Nam the genre changed a little bit. In the Western style of ‘entertainment for entertainment’s sake’, musicians performed at theatres. Rich men would come and watch, served by dao ruou, girls who served wine."

With such a history, it is perhaps not surprising that when the revolution came in 1945, precipitating three decades of war, the art form did not have a place in Vietnamese society. Artists scattered across the country and found different kinds of employment. Gradually, the art began to fade into the past.

Its resurrection only seriously began in the mid- 1970s, when professor and musicologist Tran Van Khe recorded the voice of ageing ca tru singer Quach Thi Ho. In 1978, the International Institute on Musical Research awarded the veteran singer a diplome d’honneur for her work to conserve ca tru. But what was significant was that the music began to be broadcast on local Vietnamese radio.

Another milestone in the genre’s modern history came in 1992, when Bach Van set up the Bich Cau Dao Quan, a club that would bring together the country’s 21 veteran artists, only 12 of whom had studied long enough to be able to teach. "There is one lady who is 95 years old. She spent 65 years of her life learning and singing this type of music," Bach Van says.

"So many teenagers are more interested in pop music. Young people are too impatient. Some learn ca tru over just six months and think they can teach it. After studying for 40 days they sing at a competition and get a gold medal. It’s not real! It’s not ca tru! Understanding the music takes years and years. I have been learning and singing for most of my life, and I still don’t understand everything about it."

One teen who is not "more interested in pop music", is 15-year-old Dinh Thi Van, from Lo Khe Village, 15km from the centre of Ha Noi. Young Van has been studying the ancient music for the last three years.

"My village is known as a cradle of ca tru. Mothers sing it to their babies, so it is very special to us. Not many people my age are interested in ca tru because it’s old, but I want to study it after I finish school. It’s part of being Vietnamese. When people understand the poem, they will love the music."

On April 15 this year, Viet Nam sent an updated file of the musical art form to UNESCO asking for it to be recognised as intangible heritage. The results of the application will be announced in September.

In the spotlight

Two performers at the theatre. Veteran artist and teacher Bach Van says it is difficult to find young people who are interested in learning how to play.

Ca tru is performed at Thang Long Ca Tru Theatre three times a day. There is also a small exhibition area where visitors can learn more about the history of the art form through paintings, photos and examples of musical instruments.

Performers and song poems vary throughout the week. Shows last 45 minutes and are divided into five parts, each introduced by a commentator in English and Vietnamese.

"It’s a good idea to explain what each piece is about, but the MC could have been a bit clearer," says Kathy Shea, a project manager from the United States. "There’s a lot of value in preserving traditional art, so I’m glad I was able to support that."

Le Duc Trung, a civil engineer from Ha Noi, was also in the audience. "I don’t usually go to see this kind of thing. I’ve only seen this kind of thing before on the TV. I enjoyed the commentary. It was really interesting. I would come again for sure."

Part of the profits from ticket sales and goods sales go to help disadvantaged children at Bo De Temple in the capital.

To get more people hooked on the evocative sounds of ca tru, the theatre are also planning to open classes on its history as well as training sessions for people who want (and have the ability) to sing or play.

The theatre is at 25 Tong Dan Street, Hoan Kiem District. Tickets are VND35,000 (around US$2). Performances take place at 4.45pm, 6pm and 7.15pm./.

Vietnamplus/Vietnam News